The AP is Changing the Way Their Reporters Use Twitter reports that the Associated Press (AP) is forbidding writers from sharing opinions in Twitter, including opinions of others through retweets. I understand AP wants to ensure its reputation for unbiased reporting remains intact.
My initial reaction was tripping over my jaw that had somehow landed on the floor. But the more I thought about it, the more I understood the concern. Let’s say you read an unbiased AP article about hydraulic fracturing. If the AP writer who wrote the story has a Twitter account and tweeted that the problems surrounding hydraulic fracturing are overblown, how would that affect the article? Future articles?
What if the writer makes no mention of writing for AP in his Twitter bio? When I tweet a link to a story, I often look up the writer for a Twitter ID to credit the person with writing the story. If I do that with the hydraulic fracturing writer and see opinionated tweets on the subject — could that reflect on AP and the writer?
As I think about this, I’m at a loss on the right way to handle this. With so much low quality, biased reporting today — maybe it’s necessary for AP to do it for the sake of integrity.
What do you think of AP’s actions? Are they exempt or should it apply to other publications? What about companies? Can employees be allowed to share opinions about competitors and their industry?
And now for your weekly links.
Brain food …
For fun …
Copyright secured by Digiprove © 2011 Meryl Evans
The Texas Rangers made the playoffs again this year. No smack talk from me. I just watch and hope for the best. “Rootin’ Tootin’ Ranger” was the name of a Rangers mascot from the ’70s. Wow, that game on Monday, October 10, blew me away. Would you believe the game’s walk off grand slam was the first in MLB playoff history?
What a series it has been between the Rangers and Tigers! The third base thing and it happened twice! (I won’t bore you with details, but email me if interested.) Then same guy who hit the walk off grand slam almost did the same thing in game four in the top of the 9th. He hit a three-run homer.
Brain food…
And for fun because we’re allowed…
More fun reads than biz reads as I recover from surgery and can barely handle the heavy-duty thinking.
The iPod has that certain something that leads its users to adore it like nothing before. People want nothing but an iPod. No substitutes even when the non-iPod has more memory, comes in your favorite color and costs over $100 less than an iPod. So how did the iPod earn this special treatment and the ability to compel people to say, “Cool” when they hold one?
A book cover in the disguise of an iPod, albeit on paper, still manages to ooze coolness though it isn’t the real thing. Scroll your finger over the cover’s button and scroll wheel and you can feel the smooth button extend slightly above the scroll wheel. Apple has established itself as a company that goes all out when creating a product, but there’s much more to the iPod story than people realize. The Perfect Thing explores many aspects of the story.
As a deaf person, I’m hardly the music lover who would take an interest in the iPod. I received the book as an abstract assignment and it gripped me from page 1 to the index. I received an iPod video for a gift (I do enjoy some songs that I pick up and learn by heart. Plus, I used it to listen to children’s books in audio to practice listening), but someone stole it.
While reading The Perfect Thing, I couldn’t help but order an iPod Nano straight from Apple’s Web site complete with my name engraved on its beautiful red skin. I also bought a cover to protect the iPod as I don’t like it when my gadgets get marks on them. But then I reached the part where Steve Jobs took offense to seeing Levy’s iPod covered up. Because of that, the beautiful red color and the way the aluminum felt — I took off the cover for good.
The chapters, like iPod’s shuffle feature, are independent and don’t go in a specific order except the first chapter. I don’t know if that’s true, as I haven’t seen another hard copy of the book.
“Perfect,” goes behind the scenes of iPod’s launch in October 2001, not the greatest timing after 9/11. “Download” covers the revolution of downloading and digitizing music including codec, MP3s, WinAmp, Napster and the record companies suing. “What makes an item cool?” sets the tone for the chapter titled, “Cool.” Can there be a formula for coolness? This chapter teaches great marketing lessons from Apple’s design, packaging and advertising of the iPod.
“Origin” returns to the iPod’s roots on its development and the things that came before iPod that affected the iPod’s creation. There’s a reason we use the word podcast instead of audiocasts when referring to audio feeds. “Podcast” visits the formation of citizen broadcasting from CB radio to podcasting.
People judge each other by the clothing they wear, they do the same by the playlists they carry in their iPods as “Identity” delves into the fashion statement of playlists. No one expected Apple to make a comeback, not even when Steve Jobs returned in 2000, and “Apple” touches upon the comeback and how Apple surpassed the market’s expectations. The iPod attracts thieves and the earbuds send a message to the public “to leave me alone” as the “Personal” chapter looks back at the Sony Walkman, the white earbuds, hearing loss and how users personalize their iPods.
The shuffle feature scrambles music hence the name for the cheapest and smallest iPod Shuffle. The feature is simple, yet the chapter on “Shuffle” offers fascinating insight into the possibility of a conspiracy behind the shuffle formula. Some people swear that some songs, artists and whatnot get more attention than others do. But everyone at Apple, including the engineers, says shuffle works randomly. Intriguing stuff anyway.
Marketers, iPod lovers, Apple lovers, Mac lovers, business people, technology people, gadget people. The book will appeal to all of them. After all, Levy writes, “The iPod is a pebble with tsunami-sized cultural ripples.”
Title: The Perfect Thing: How the iPod Shuffles Commerce, Culture, and Coolness
Author: Steven Levy
Publisher: Simon & Schuster
ISBN: 0743285220
Date: October 2006
Format: Hardcover
Pages: 304
Cover Price: USD: $25.00 Amazon: $16.50